On 5 March 2021, the case was considered concluded with an agreement reached outside of the NCP process and a final statement was published. Petrobras reported that the documents requested by the submitter in the context of the specific instance had already been provided in a parallel procedure via Brazil's Law on Access to Information, and therefore, they would not participate in the NCP procedures. On 12 August 2020, the Brazilian NCP undertook an initial assessment whereby it decided that the issues raised merited further examination. Specifically, the submitter had requested two documents relating to the circumstances of his dismissal in order to restore his reputation. The issues were related to access and disclosure of personal information. Douglas Linares Flinto, an individual, submitted a specific instance to the Brazilian NCP, alleging that Petrobras S.A, a Brazilian state-owned oil and gas company, had not observed the Concepts and Principles (Chapter I), Disclosure (Chapter III), Human Rights (Chapter IV) and Combating Bribery, Bribe Solicitations and Extortion (Chapter VII) provisions of the Guidelines. Read the final statement published 5 March 2021: Portuguese Specific instance alleging a non-observance of the OECD Guidelines.Ĭoncepts and principles, Disclosure, Human rights, Combating bribery, bribe solicitation and extortionĮlectricity, gas, steam and air conditioning supply In the document mentioned here, you will know my expectations, not only regarding Eni itself, but also regarding international institutions and other #Stakeholders, including the Italian government, the company's controlling shareholder. And that's because, even with the best practices, a company can cause or contribute to causing negative and harmful consequences that it did not foresee or was unable to avoid.Mr. Watch my latest short film TaleOf2Fathers Starring Peter Jason ChrisPetersen90 and Christian Betpolic Click link: youtu.be/TOczVOtpxyU shotoniphone sanfordmeisner. In these more than 20 years, Eni has never carried out a #duediligence on my case in light of the commitments mentioned hereeven though it had asked me for a “proposal for amicable settlement” - in November 2020, through the Italian Ambassador in Brazil - and never having responded to this proposal, not even after being questioned by you during the company's Shareholders' Meeting, held in Rome, in May 2021. As if that were not enough, #Eni is not fulfilling the commitments assumed to its Stakeholders through its own policies and codes, declarations, norms, and procedures, as well as the international pacts, conventions, principles, and guidelines accepted and followed by Eni, including, the Italian government, the company's controlling shareholder, who appears in many of these international commitments, as an adherent, signatory or ratifying party. The facts described (and the documents, incorporated in dozens of web links), are full proof that Eni is not only responsible for unjustly denigrating my name, my honor, and my reputation during all these years, but it is also responsible for destroying my professional career and taking my retirement out of my hands. In this MEMORIAL I write my story with the Italian #oil giant since 2001, when I was unfairly fired - after denouncing a million-dollar “scheme” of fraud and acts of corruption, in compliance with the company’s Code of Ethics - going through the systemic imposition of #reprisals and the strategy of #victimization instrumentally engineered until the withdrawal of the “good offices” - offered by NCP Brazil, due to non-compliance with the “ #OCED Guidelines for Multinational Enterprises” - in march 2022.
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They hear the story of Azor Ahai and, desperate, they try to recreate it. Say, a character does try to listen to Melissandre. And we’ve seen how well that sacrifice - made on the word of a priestess of Asshai, mind you - actually worked.Īnyways, what I’m trying to say is what if Shireen’s death wasn’t actually meant to be Shireen’s at all? What if this was their way of Lady Stonehearting the Lightbringer prophecy? Interestingly enough, we actually have a known blood sacrifice happen in the show, expected to guarantee the great victory of the hero, that didn’t (yet?) take place in the books. But if GRRM is known for subverting genre tropes, then shouldn’t we be on high alert here? Because isn’t the story of Azor Ahai, Nissa Nissa and Lightbringer a terrible one? Among all these notable swords, GRRM introduces the myth of a magical sword: Lightbringer - and this myth has caused endless speculation about which already famous sword will become an extra-special magical sword that will ensure victory. There are a number of famous swords in ASoIaF - mainly swords of Valyrian steel though the ancestral sword of House Dayne, Dawn, is made from the heart of a fallen star. It is Excalibur and all its mythical and literary siblings. The Magic Sword is not just a common trope in fantasy fiction, it is an archetype in myth. Why does no one question whether a magical sword really will the endgame solution? Is it because magical swords are such a common trope in fantasy fiction? Why everybody seems to think that this myth has to play out all over again in the exact same manner. So I wonder why no one seems to question the myth of Lightbringer. GRRM is known for playing around with genre conventions, of twisting tropes and undercutting audience expectations. I find this a very good dictum to keep in mind when dealing with ASoIaF. The introductory foreword to The Dragonstone Chair, the first novel in Williams’ series, contains some interesting words: “AVOID ASSUMPTIONS!” I’ve started to read Memory, Sorrow and Thorn, the epic fantasy series that is one of the direct inspirations behind GRRM’s own series. However, I’ve come to believe that we are asking the wrong questions of the text when it comes to the myth of Lightbringer. When it comes to the myth of Lightbringer, the legendary magical sword that helped Azor Ahai save the world during the Long Night - at least according to some legends - fans of ASoIaF speculate endlessly about who is AA reborn, who will be his Nissa Nissa who has to die to reforge Lightbringer - and which famous sword will become Lightbringer? This plot point inspired promotional ballyhoo in the form of free “green blood” offered to moviegoers. (So you can overdo it on the vegetables.) It’s disorienting and unintentionally funny, but again, “Doc” does what it wants to do.Īdding to the mayhem, natives begin to turn green and ooze pus. He wiggles the zoom lens - in and out and in and out - incessantly. There is a monster - “Doc” isn’t just a soap opera - and when it appears, the cameraman does something you’ve never seen in any other movie. From left: Tony Edmunds, Alfonso Carvajal, Alonzo, Ashley, Remy, Pettyjohn and Valdez. “Aren’t you?” In a carefully composed shot, the cast observes a native ritual. “What’s wrong?” asks Carlos, who obviously was hoping for a little post-coital spooning. When Carlos tries to kiss Marla, she stops him, and kisses him instead.Īfterwards, Marla collects herself and saunters toward the door. She walks into his room without knocking, disrobes without a word and climbs on top of him without ceremony. When Marla finally decides to have her way with Carlos, she is in complete charge. Even worse, he’s a peeping Tom Willard spies on Marla as she skinny-dips by a waterfall, in a fairly gratuitous sequence. Shiela’s father turns out to be a sullen drunk. (The character will never be this nice again.) There’s also village chieftain Ramu (Alfonso Carvajal), who silently observes the goings-on. His first-in-command is Razak (Bruno Punzalan), a mute brute who smiles like an uncle when he first spots the returning Carlos. He walks with a cane, wears one glove, and exerts a Svengali-like control over his staff. The enigmatic Lorca speaks in calculated vagueries, and exudes creepy charm. Lorca (Ronald Remy, who played the shaved-head vampire in “The Blood Drinkers”). Hero meets villain: Bill (Ashley) in dinner talk with the enigmatic Dr. When Carlos says he’ll see her around, she deadpans, “As much as you want, little Carlos, and maybe more.” This girl is trouble. Lopez’s annoyance is palpable - taunting the young man by calling him “little Carlos.” (They knew each other as children.) Marla dresses like a post card model - sarong, lei, a flower in her hair - and doesn’t walk so much as prowl. Marla immediately inserts herself between Carlos and his mom - Mrs. This is interrupted by a character that practically steals the movie: Marla (Alicia Alonzo) is a diminutive wildcat who looks 16, but watch out. In fact, there seems to be some slight Oedipal thing going on between she and Carlos. Lopez, who is still very lovely for her age. Right: Later, Marla has her way with “Little Carlos” (Ronaldo Valdez). Marla (Alicia Alonzo) interrupts a mother-son moment, to the palpable annoyance of Mrs. Characters are introduced, questions are raised, monsters are riled. The voyagers land and the fun begins that’s what Blood Island movies do. Carlos Lopez (Ronaldo Valdez) knows that bad things happen on this island, and aims to extricate his widowed mother (Tita Munoz) from this dangerous place. This time, however, there’s a returning Blood Island native on board. In an unrelated matter, Shiela Willard (Angelique Pettyjohn) wants to check up on her father (Tony Edmunds), an émigré who hasn’t been answering her communications. Right: The welcoming committee.īill Foster (John Ashley) is a medical researcher sent to investigate reports of a troubling denizen of the island: a murderous lunatic who bleeds green. Left: John Ashley and Angelique Pettyjohn approach Blood Island. Like its predecessor “Brides of Blood” (1968), “Doc” opens with a boat chugging toward Blood Island, carrying white people who apparently haven’t heard about their destination’s abnormally high monster count. Characters withhold information from the audience, exchanging meaningful glances that imply: We have history. Green blood.įor a cheap little indie made in the Philippines, “Doc” has more than its share of character development - and soap opera-like secrets. “The Mad Doctor of Blood Island” is like “The Magnificent Ambersons” with blood. The third of four posts about the bizarre Filipino horror films affectionately known as the “Blood Island Trilogy.” Read previous post. By Mark Voger, author, “Monster Mash: The Creepy, Kooky Monster Craze in America 1957-1972″
When the remake for Secret of Mana released, it looked a lot like a low-budget remake that did not accurately translate the art from the SNES classic. The game looks a lot better than 2018's Secret of Mana remake. While the remake has been in the works for a while, the western branch of the company suggested that it would make sense to bring the 2017 Switch anthology over as well for fans who would prefer the original.ģ. The decision to remake Trials of Mana and bring the Collection of Mana over was because of feedback from the western side of Square Enix. Each protagonist has a different quest, like the knight Duran chasing down a wizard that attacked his castle, or the Werewolf Kevin being stymied by a killer Jester as he seeks to save his father's kingdom.Ģ. Then you pick two compatriots that join your protagonist's story as party members and you explore some variation of their quests. Trials of Mana, both in the remake and the original incarnation, allows you to pick from six characters for your protagonist with their own origin stories. We had a chance to sit down today with Masaru Oyamada, producer of the Mana series, and got to learn a few things about the remake and how it came to be.ġ. In addition, much like the Secret of Mana remake before it, Trials of Mana is also getting a fully 3D remake for modern platforms. Collection of Mana includes Final Fantasy Adventure and Secret of Mana, which have both been released in the U.S., and now Trials of Mana, which had previously only been known as Seiken Densetsu 3. Earlier today on Nintendo's E3 presentation, Square Enix unveiled both Collection of Mana and Trials of Mana remake, marking the first time that the third Mana game has been released in America. Here are just a few more details that players may not know about. The Last of Us: Left Behind is an action-adventure video game that was released to fans in 2014. 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